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Think French cooking has to be fancy? That's only half the story.

My French mother-in-law, Madeleine, was everything I had learned French women were not: She was an unpretentious woman who wore a crisply pressed cotton housedress over thick stockings and sensible shoes every day I knew her, her wispy white hair in a boyish cut framing a clean-scrubbed face.
She was an unassuming, cheerful woman who worked next to her husband in their corner shop six days a week, raised four children on blind faith and old wives’ tales, and had a hot meal on the table at 1 p.m. every single day of the week.
But it was her cooking that threw my preconceived notions for a loop. Having moved to Paris after living in Philadelphia and New York, I arrived with a reverence for French cuisine that bordered on the religious. Restaurants and shops, magazines and cookbooks taught me that French food was the height of sophistication. It was delicate yet elaborate, refined and expensive — a performance art of finely julienned vegetables, sublime sauces, towering souffles.
When I moved to Paris in 1986 I found work as an interpreter in a professional cooking school, where I witnessed the rigid training, technical know-how and precision that went into each dish and pastry, from preparation to plating, confirming my opinion that French cuisine was complex and meticulous, impressive and intimidating.
But Madeleine’s cooking was far from all that. Her food was hearty and unadorned, yet so flavorful. No trendy or costly ingredients went into her one-pot dishes, no spices beyond salt and pepper, no sauces other than homemade bechamel, mayonnaise or vinaigrette whisked up quickly with a fork. There was little precision or delicacy: She would roughly chop leeks, potatoes, beets, shallots and carrots, staples of her cooking, with a wobbly, chipped paring knife, the bits of peel flicking all over the cheap vinyl tablecloth. Her recipes were estimates of classic dishes that were assembled and seasoned “au pif,” by taste and intuition.
Early in the morning she would prepare stews, leaving them to simmer on their own while she went back to work, or casseroles that she would pop into the oven between errands.
Ratatouille, veal blanquette, guinea fowl wrapped in cabbage, boeuf bourguignon and fondue weren’t fancy company cooking. They were economical, filling, easy everyday fare that, once assembled, basically cooked themselves, requiring no intricate technique to take time away from family and job.
When dessert was served beyond the cheese platter, it was plain poundcake, fruit pressed into a sweet pastry crust or rice pudding. Nothing was thrown away. Leftovers were always re-purposed into something else.
How was this French cuisine? I wondered. Le Bec Fin, Le Cirque, Lutèce, Le Bernardin, the pristine white traiteur in SoHo where the woman in a white blouse and black pencil skirt served tiny, perfectly roasted chickens for a splurge, the chic coq au vin we labored over for French Club — this was French cuisine!
But Madeleine’s cooking, I would discover, is just what I found in most French homes — more rustic or refined, depending on the household, but the same traditional dishes, the same casual, economical, uncomplicated approach. So how could what I had perceived as French cuisine back home be so different from what I was dining on with my new family and friends?
I dove into the history of French cuisine to understand where I had gone wrong.
To put it rather simply, French cuisine has developed across the centuries along two parallel paths: The first was what was cooked in royal kitchens for kings and queens, using spices and other ingredients that were rare and costly. Chefs continually pushed themselves to impress their patrons, developing sauces, cooking techniques and even new modes of presentation that expanded their repertoire.
This type of aristocratic cooking was innovative, exotic and elaborate. Foreign influences and ingredients brought back from expeditions around the world infiltrated their recipes and took much longer to trickle down to the common people. This opulent style of cooking has long defined French cuisine.
French home cooking, on the other hand, was a classic cuisine pauvre, humble yet hearty, developing at a much slower pace far from royal kitchens. Ingredients were locally accessible, often homegrown, and recipes were economically frugal and quick to execute, both by necessity. With no servants, the middle and lower classes tossed ingredients together and left them simmering while they started their workday, enjoying a hot, one-pot meal at noon that would fill them up and give them the energy to go back to work after their midday break.

Greensboro News & Record


PR

【無縫啾啾餐】小雞啄米式啾啾 男神吃披薩閃瞎路人

情侶間愛到濃時常會當街放閃旁若無人,謝沛恩5月被直擊與貌似ABC的男子在餐廳啾啾抱抱,對照她自爆當時已經跟混血男友分手的時間點,引起無縫接軌、甚至是劈腿疑雲。情侶或夫婦間公開親熱不稀奇,但親出案外案、甚至引起負評,可就不是一椿美事了。
 
郭書瑤跟以綸先是緋聞傳了老半天,但始終不肯鬆口認愛,直到今年4月被本刊獨家直擊,兩人先在計程車上沿路卿卿我我,接著到餐廳邊親邊配飯、親一口吃一口,把周遭人等全都當透明,以綸甚至幫郭書瑤把頭髮抓成馬尾,塞進衣領中方便她吃飯,一舉一動實在挑戰讀者臉紅極限。
 
演藝圈知名的放閃夫婦蔡詩芸、王陽明從來都不掩飾對另一半的愛意滿滿,私下也是黏到不行,曾被直擊到披薩店用餐,邊吃邊相視而笑彷彿吃到人間美味般幸福,王陽明還趨前索吻。兩人顏值高,在公共場合現身已經夠受人矚目,一招小雞啄米式的啾啾更讓周遭人等看傻了眼。

如果不是因為中國大陸的實境秀《幸福三重奏》,大家可能不知道桌球明星福原愛、江宏傑私下是這麼濃情化不開的夫婦,只因為江宏傑許下「每天親親100下」的願望,兩人在鏡頭前不時嘟嘴討吻、連手受傷都搬出「親一個就會好」的理由,親到福原愛自己都說:「我好像變態。」節目一播出雖然兩岸觀眾直呼甜蜜,但從小看著福原愛長大成人的日本網友就不買單,直批親成那樣實在噁心。

資料來源:鏡週刊

來一趟高雄老派約會!精選 3 家超魅力「復古餐廳」

近年復古風氣吹起,老派餐廳的獨特迷人風格讓人流連。有的店家盡力保存幾十年前的原貌,有的則精心創造出一份屬於新時代的復古味,撥出時間來一趟高雄老派約會餐廳吧。

 

|小提咖啡

 

/ 承襲40年的姐妹情誼 /

圖/Jean
圖/Jean

在下雨的平日午後踏進小提咖啡,心裡竊喜只有我們一組客人,早有耳聞二姐是一位健談的闆娘,今天可以單獨的霸佔他真是幸運。

小提咖啡原是大姐經營的書店兼咖啡廳,交給二姐時只選擇讓咖啡廳留下。店內沒有乾紙巾,每人有一條自己的濕手帕,早期是整批毛巾送給專門的店家清洗,不過使用這種毛巾的店家越來越少,清洗的店倒了,二姐卻堅持使用濕巾,保存最原始的經營之道。

「喝酸的還是苦的?」「吃飽了嗎?」

菜單是簡單的兩句話,咖啡不能空腹喝,小提咖啡的招牌菜是煎蛋跟火腿片,二姐說這比什麼大餐都美味。吃巧不吃飽,來到這裡無論如何都要回答自己沒吃飽,一份煎蛋配咖啡最剛好。

圖/Jean
圖/Jean
圖/Jean
圖/Jean

二姐煮咖啡的技巧來自大姐,她熟練的使用賽風壺煮著虹吸式咖啡,從四十年前就堅持虹吸式的煮法,二姐認為比起手沖咖啡,虹吸更能提出屬於咖啡的香氣和原味。二姐總說自己只是個顧店的,不是什麼老闆娘,聽來像是謙虛,但這份緬懷大姐的心意也許只有她們姊妹之間明瞭。

怎麼去

地址|高雄市鹽埕區鹽埕街40巷10號

 

電話|07-551-4703

 

營業時間|08:30–18:00 / 每月第二及第四個週日公休

 

|百樂冰淇淋

 

/ 高雄人的兒時記憶 /

圖/艾德華
圖/艾德華

50年老字號,高雄孩子的快樂天堂。老牌冰淇淋店主打的除了冰品外還有彌月蛋糕,百樂冰淇淋保留當年原汁原味的裝潢擺設,讓每個曾經在高雄長大的人在這找到兒時記憶。

圖/艾德華
圖/艾德華

歷史悠久香蕉船冰,整條香蕉對半切開,中間夾滿三顆冰淇淋,配上一顆經典古早味櫻桃。

圖/ IG_tiffanyjuu
圖/ IG_tiffanyjuu

巧克力聖代,六零年代的復古聖代。百樂百福,軟滑的聖代,搭配酸甜的果醬。

百樂冰淇淋店有多種冰品,無論銅鑼燒、蛋角冰淇淋、冰棒或是桶裝冰,樣樣都是百樂的自製冰,外面吃不到的復古味。

怎麼去

地址|高雄市前金區市中一路225號

電話|07-231-8823

營業時間|08:00–23:00

|萬.吧 ONE.Bar

圖/ IG_shih_su
圖/ IG_shih_su

原本為讓人一眼也不會多看的廢墟地,經過一年的時間改頭換面,如今的這間老屋又裝了新的靈魂。1、2F為中餐廳,3F是溫馨小Bar。店內以昭和時期風格為主題,角落裡的每樣小傢俱都讓人驚艷,這不只是一間仿古餐廳,而是萬老闆精心創造出的秘密基地。

圖/ IG_shih_su
圖/ IG_shih_su
圖/ IG_shih_su
圖/ IG_shih_su
IG_t123987132
IG_t123987132

中式定食菜色豐富,價位200-400不等。

資料來源:聯合新聞網

七夕景觀餐廳超夯!浪漫約會熱點看這

七夕情人節即將到來,想要與另一伴甜蜜過節,當然少不了來頓溫馨浪漫的台北情人餐廳大餐,不少擁有無敵景觀的餐廳,更是熱門首選。像是能鳥瞰台北101夜景的莫爾頓牛排館及寒舍艾麗,都推出應景的台北情人餐廳情人節套餐。還沒想好帶另一伴去哪過也沒關係,TVBS網路新聞中心就整理出,業者針對七夕推出的限定浪漫活動,讓你不愁沒地方放閃!

莫爾頓牛排館
擁有能與台北101對望的絕佳美景,情人節必備的浪漫元素。並同步推出情人節經典套餐,每人4988元,包含海鮮拼盤前菜、USDA PRIME級的牛排、波士頓龍蝦等主菜,到巧克力慕斯杯、迷你紐約起司蛋糕等甜點;如果傍晚前到達,還可先到戶外SkyBar邊欣賞夕陽西下,邊小酌提前甜蜜一下!

寒舍艾麗酒店
La Farfalla義式餐廳也同樣能看台北101大樓夜景,還有空中花園景色,七夕當天也推出情人套餐,每人1580元起,除了七夕限定主菜「脆鱗馬頭魚襯北海道干貝佐紅花美乃滋」及「美國羅西尼牛排襯炸飯球佐松露醬汁(5oz.)」,還有無限享用自助餐檯,當晚兩人同行,用餐即送香水小禮及品牌千元折價券。
台北美福大飯店
台北美福大飯店「GMT義法餐廳」與「晴山日本料理」於8月17日至8月19日午晚餐期推出「七夕情人節雙人套餐」,其中,GMT義法餐廳設計的情人節套餐,包含開胃粉紅酒、法國吉拉多生蠔、36個月熟成起士佐黑松露、櫻桃木燻龍蝦、菲力牛排以及甜點與飲品。晴山日本料理包含柚子氣泡酒、季節生魚片、炭烤美國極黑和牛牛小排、櫻花蝦五目飯等及特製甜點。

Lady M
搶攻浪漫七夕情人節,Lady M從即日起到8月19日推出超創「心」七夕花漾情人套餐,套餐以象徵愛情的「愛心」以及情竇初開時「心花怒放」的心情作為發想主軸,內含經典原味愛心千層蛋糕與玫瑰愛心千層蛋糕,內用套餐可任選兩款飲品,讓你跟情人一起心心相印,浪漫過節!

《TVBS》提醒您:
◎飲酒勿開車!飲酒過量,有害健康
◎未滿18歲者禁止飲酒

資料來源:TVBS NEWS

漫博聲優見面會 情人節登台

2018漫畫博覽會將於8/16在世貿一館展開,請來不少知名聲優與作家。《刀劍神域 Gun Gale Online外傳》的靈魂主角「蓮」,其聲優「楠木友利」要陪大家一起過台北情人餐廳情人節,凡8/17於木棉花攤位現場消費滿千元,再以199元就可加購見面會資格與複製簽名板,限量200名。
另曾獲日本「這本漫畫真厲害」票選第2名,以及日本書店店員推薦漫畫第1名的《魔法使的新娘》,曼迪傳播特別找來女主角羽鳥智世的聲優「種﨑敦美」,8/19將首登台簽名,種﨑敦美近年配音作品如《鄰座的怪同學》、《東京殘響》、《偶像大師 灰姑娘女孩》等。台北情人餐廳
另一作品《庫洛魔法使》,是許多七、八年級生心中的經典動漫,慶祝原作誕生20周年,特別推全新動畫《庫洛魔法使 透明牌篇》,而劇中的封印獸~可魯貝洛斯,為其配音的聲優久川綾也將來台舉辦首場簽名會。

資料來源:蘋果新聞

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